Kiss : Lick It Up/Animalize


DOUBLE DOSE 

OF

KISS

A Lot of These

 KISS

Albums Were 

Short Like 

30/ 35 

Minutes 

So I Have Some 

That Are

 Two Albums on

One CD 

NOTES : 

The First Part Of CD

Has 

Vinnie Vincent 

The Second Part

Has 

Mark St. John



 Lick It Up

 is the eleventh

 studio album

 by American 

rock band

 Kiss 

Before its

 1983 release, 

the band members

 appeared on MTV

 without their

 trademark make-up.

 It was the first

 public appearance 

without make-up 

by the band, 

and their first for

 Mercury Records,

 where they had 

been signed 

following their departure

 from

 Casablanca Records.

 The album was

 certified platinum

 by the RIAA

 for selling over

 a million units

 in the US.

Recording and Release

As soon as the

 Creatures of the Night Tour/10th Anniversary Tour

 wrapped up in June,

 the band immediately 

went back into the studio

 to begin work on

 their next album, 

which was 

recorded over

 the next two months. 

Lick It Up 

built upon the

 harder sound 

Kiss had displayed on 

1982's 

Creatures of the Night

While Vinnie Vincent 

contributed lead guitar

 to six songs on 

Creatures of the Night 

as a session player, 

by the time

 Lick It Up 

was released and for

 all the public knew, 

he was officially

 the guitarist in Kiss

 and played

 all the lead guitar 

on the album. 

For the first time, 

Vincent appeared on

 the cover art 

for the album, 

whereas 

Ace Frehley had appeared 

on the

 Creatures of the Night cover, 

despite having 

already left the band 

and not being involved

 in the recording 

of the album. 

The opening track

 (co-written by Vincent) 

features a solo

 from 

Rick Derringer.

"Lick It Up"

 and

 "All Hell's Breakin' Loose"

 were released as singles

 from the album. 

They were accompanied 

by a pair of 

similarly themed, 

tongue-in-cheek videos

 featuring the band 

(along with many scantily clad women) 

in desolate,

 post-apocalyptic settings. 

"All Hell's Breakin' Loose" 

is one of three songs

 in the history 

of the band

 in which all four

 (current at the time) 

members share 

songwriting credit, 

the others being 

"Love Theme from Kiss"

 from their 

debut album

 and 

"Back to the Stone Age"

 from 

Monster.

Vincent Membership

Vincent was not legally

 a member of the band.

 Due partly to disputes

 over what his role

 in the band

and his pay would be

 (some reports indicated that he

 had asked for, 

and was flatly denied, 

a percentage of 

the band's gross profits), 

Vincent never signed

any contract 

making his employment official. 

These disputes,

 along with a growing attitude

 by him that he was 

solely responsible 

for the 

resurgence of Kiss, 

would lead to him leaving

 the band 

(or being fired, depending on the source) 

after the European leg

 of the 

Lick It Up tour.


Animalize

 is the

 twelfth 

studio album

 by American Rock

 band

 Kiss

 It was released on 

September 17, 1984, 

by Mercury Records.

 The album marked

 the only appearance

 by lead guitarist 

Mark St. John, 

who replaced 

Vinnie Vincent

 in April 1984.

Background

At this point in

 Kiss's career,

 the band had lost

 two founding members, 

released two

 unsuccessful albums

 that largely alienated

 their fanbase

 1980's 

Unmasked 

and 

1981's

 Music from 

"The Elder"

and made a

 "return to form" 

with 1982's 

Creatures of the Night 

that still failed

 to gain the

 public's attention. 

However,

 the sessions for 

Animalize

saw the band 

regaining momentum, 

as 1983's 

Lick It Up

 had achieved 

Platinum status 

and yielded a 

successful tour. 

With the departure 

of another member

 in lead guitarist 

Vinnie Vincent 

and the hiring of a

 complete 

unknown in

 Mark St. John

 to replace him, 

Animalize 

saw the band at a 

crossroads of sorts

At the time of the album's recording, 

vocalist/bassist

 Gene Simmons

 was pursuing a career

 in acting 

and was

 largely absent from

 Kiss. 

Vocalist/guitarist

 Paul Stanley 

later said,

 "I felt abandoned when

 it came time to make

 Animalize.

 After informing me 

without any warning

 or discussion 

that he wouldn't

 be around for

 the album, 

Gene went into a studio 

and crapped out 

some demos as

 fast as he could.

 Then he was off

 to do a movie." 

Stanley had become

 Kiss' de facto leader 

and he was left 

responsible for 

songwriting, 

production 

and direction 

of the new album.

Simmons' relationships

 with his bandmates 

were at an all time low 

during this period. 

Most of this centered

 around his perceived 

lack of commitment 

to the band and his 

preoccupation with 

numerous outside projects,

 including producing

 and managing 

other rock groups

 such as

 Black 'n Blue 

of whom 

Tommy Thayer 

was a member 

at the time, 

and co-starring

 in the

 1984 movie

 Runaway.

Recording

Entering the studio

 to record 

Animalize

newly hired

 lead guitarist 

St. John clashed often

 with his new bandmates, 

with Carr saying 

years later that

 St. John's talent

 led to a very arrogant 

demeanor in the studio. 

A disagreement over

 a bass part which 

bassist 

Simmons had asked 

St. John to record 

for the album

 left both Simmons 

and Carr furious

 with the new guitarist, 

with Stanley and Simmons

 later taking St. John aside

 to warn him about

 his bad attitude. 

According to St. John himself, 

Stanley and Simmons got

 "all kind of weird"

 over what he was recording 

in the studio, 

with Stanley saying that 

his playing had 

no structure 

and that the guitarist was 

"just puking notes" 

and could never play

 the same thing twice. 

Bruce Kulick, 

brother of former

 Kiss-collaborator 

Bob Kulick, 

was eventually brought

 into the studio

 to play lead guitar 

on the tracks 

"Murder in High-Heels" 

and

 "Lonely Is the Hunter".

Along with songwriter 

Desmond Child, 

Stanley gave the band

 it's biggest hit single

 in years with 

"Heaven's on Fire".

 On top of production, 

Stanley claims to have

 personally

 handled everything 

from naming the album

 to marketing and

 "cajoling MTV"

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