Black Sabbath : Live Evil (40th Anniversary Edition)



WE SAILED ACROSS THE AIR 

BEFORE WE LEARNED TO FLY

WE THOUGHT THAT

IT COULD NEVER END

WE'D GLIDE ABOVE THE GROUND

BEFORE WE 

LEARNED TO RUN...RUN

NOW IT SEEMS OUR WORLD

HAS COME UNDUN

 Live Evil

 is the first 

official 

live album

 by the English

 heavy metal band 

Black Sabbath

 The previously released 

Live at Last

 (1980) 

was not sanctioned

 by the band. 

Live Evil 

peaked at 

number 37 

on the Billboard

 Pop Albums chart.

Recording

In early 1982, 

Black Sabbath's 

publishing deal 

with their previous 

management expired. 

By re-recording

 several songs from

 their earlier catalog

 and releasing them

 as a live album, 

all the songwriters

 stood to see a hefty profit

 from the publishing royalties.

 The liner notes state

 that the album was

 recorded in Seattle,

 San Antonio 

and Dallas 

during the

 Mob Rules Tour, 

but doesn't give

 specific information on 

which songs were performed

 in which location. 

However, 2023's

 40th Anniversary 

Deluxe Edition 

does indicate

each song's 

recording date

 and location, 

In his autobiography

 Iron Man: 

My Journey Through 

Heaven & Hell

 with Black Sabbath

guitarist 

Tony Iommi 

recalls that the band's

 live show during

 this period featured 

"lots of pyro with fire and bombs" 

and that while playing

 the Hammersmith Odeon

 the bombs had been

 tested and

 "blew a two-foot-wide hole

 in the floor on my side.

 If I'd been there, 

I would have been blown up. 

Christ, 

it was dangerous.

" Iommi also admits that the band 

had to cancel a show at 

Madison Square Garden

 when the bombs blew out 

the tubes in all the amps

 during the first note 

of the first song 

"War Pigs".

 In the liner notes

 to the 2008 retrospective

 The Rules of Hell

vocalist 

Ronnie James Dio

 remembers, 

"It was an excellent tour. 

I think we were probably 

riding quite high on the

 Heaven and Hell success, 

and so we ended up 

playing really, really well. 

Even towards the

 end the shows

 were still great."

 Tension, however, 

had been building for some time

 between the band members,

 with rock journalist

 Steffan Chirazi 

observing in 2008

 that the story behind

 the creation of 

Live Evil

 is one of 

"quiet yet savagely

 visceral turmoil

 and a band

 collapsing under their 

weight of silence,

 unspoken accusation, 

and an

 unforgiving schedule."

Of the oddly 

distant crowd sound,

 Iommi remarked: 

"We forgot about the audience!" 

In the same interview, 

asked to choose

 "a track that the engineer 

didn't cock up", 

he said: 

"I liked 'Heaven and Hell' 

flowing into

 'Sign of the Southern Cross'.

 It had its moments, that one."

Breakup

During the mixing of 

Live Evil

Dio and drummer 

Vinny Appice

 abruptly left the group,

 leaving original members

 Iommi and Geezer Butler

 to carry on.

 The two factions 

would provide 

vastly different accounts 

of what transpired

 as things fell apart.

"Ronnie had started to take over

 a little bit too much and 

was becoming a bit of a Hitler",

 Iommi explained to

 Steve Gett 

of Guitar

 for the Practicing Musician.

 "We were working on the

 Live Evil record

 in Los Angeles, 

and in fact we 

nicknamed him

 'Little Hitler'".

 In his 2011 memoir,

 Iommi was considerably

 less harsh in his summation

 of Dio's behaviour, stating 

"By then Ronnie did come 

over a little more...

I suppose, bossy.

 The way he conducted himself, 

the way he talked,

 it might have given that impression

 to the outside world, 

but he usually didn't 

mean anything by it. 

Ronnie was just very outspoken."

 Iommi also contends that he

 and bassist 

Geezer Butler 

were concerned about Dio 

already rehearsing with

 other musicians for

 a proposed solo album

 offered to him by 

Warner Brothers Records.

Dio's account attributed the breakup

 to a misunderstanding 

arising as the result of

 Iommi's drug abuse. 

Dio has stated that while he

 and Appice were not

 interested in drugs, 

Iommi and Butler 

were using cocaine 

very heavily at that time. 

When Dio and Appice arrived

 at the studio to begin the 

Live Evil mixing process, 

Iommi and Butler 

never showed up. 

While waiting for their bandmates

 at the studio over a period 

of several days,

 Dio and Appice

 passed the time by listening to

 the recordings and frequently 

experimented with the mix

 by asking the engineer

 to adjust the levels of 

various parts.

 No mixing had commenced, 

and the tracks were 

merely being listened to. 

When Iommi arrived days later, 

he asked the engineer 

what Dio had been doing

 in his absence and 

was told that he had

 frequently requested

 that the vocals be brought up

 higher in the mix. 

Iommi, in his

 drug-addled state, 

misunderstood what he

 was being told and came to

 the conclusion that Dio 

was not only mixing

 the album without him, 

but was trying to push

 his own vocals much

 too prominently in the mix. 

Iommi, a founding member 

of the band,

 reckoned he had a 

power struggle on his hands 

and he wasn't about to 

relinquish creative control

 of Black Sabbath. 

Dio steadfastly denied that he

 altered the mix

 and accused

 Iommi and Butler of 

fabricating the story.

Iommi later laid the blame 

on the engineer.

 On the Neon Nights: 

30 Years of Heaven and Hell DVD, 

both Dio and Appice

 claim the mixing sessions

 were scheduled to start

 in the early afternoon but,

 on the third day, 

Iommi and Butler 

didn't show up 

until much later. 

This exacerbated the rift 

between the new

 and original members 

until the singer 

was asked to leave.

 In the same interview series, 

Butler described the

 Live Evil mixing sessions

 as

 "the Yanks against the Brits," 

adding,

 "I knew things were coming to a close 

from some of the things

 that were happening on the road. 

Ronnie and I would ride in one car, 

Geezer and Tony 

in another car, 

and everybody was 

breaking away from 

each other a little bit."

TRACKLIST

CD 1

E5150 

(Live) 

(2023 Remaster)

Neon Knights 

(Live) 

(2023 Remaster)

N.I.B. (Live)

 (2023 Remaster)

Children of the Sea

 (Live) 

(2023 Remaster)

Voodoo 

(Live) 

(2023 Remaster)

Black Sabbath

 (Live)

 (2023 Remaster)

War Pigs

 (2023 Remaster)

Iron Man

 (Live)

 (2023 Remaster)

CD 2

The Mob Rules

 (Live) 

(2023 Remaster)

Heaven and Hell

 (Live) 

(2023 Remaster)

The Sign of the Southern Cross / 

Heaven and Hell

 (Continued)

 [Live]

 (2023 Remaster)

Paranoid 

(Live)

 (2023 Remaster)

Children of the Grave 

(Live)

 (2023 Remaster)

Fluff 

(Live)

 (2023 Remaster)

BONUS

The Mob Rules

 (Heavy Metal Soundtrack Version) [*]

CD 3

E5150

 (Live in Seattle, April 24, 1982)

 (2023 Remix)

Neon Knights

 (Live in Seattle, April 24, 1982) 

(2023 Remix)

N.I.B.

 (Live in San Antonio, May 13, 1982) 

(2023 Remix)

Children of the Sea 

(Live in San Antonio, May 13, 1982)

 (2023 Remix)

Voodoo

 (Live in San Antonio, May 13, 1982) 

(2023 Remix)

Black Sabbath

 (Live in Dallas, May 12, 1982)

 (2023 Remix)

War Pigs / Drum Solo 

(Live in San Antonio, May 13, 1982)

 (2023 Remix)

Iron Man

 (Live in San Antonio, May 13, 1982)

 (2023 Remix)

BONUS

Slipping Away

 (Hammersmith Odeon 81-82) [*]

Country Girl

 (Hammersmith Odeon 81-82) [*]

CD 4

The Mob Rules

 (Live in Seattle, April 24, 1982)

 (2023 Remix)

Heaven and Hell 

(Live in San Antonio, May 13, 1982)

 (2023 Remix)

The Sign of the Southern Cross / 

Heaven and Hell 

(Continued)

 [Live in San Antonio, May 13, 1982] 

(2023 Remix)

Paranoid

 (Live in San Antonio, May 13, 1982)

 (2023 Remix)

Children of the Grave

 (Live in Fresno, April 18, 1982)

 (2023 Remix)

Fluff

 (Live in Fresno, April 18, 1982)

 (2023 Remix)

BONUS

Die Young 

(Live in Hartford) [*]

Lady Evil

 (7-inch Mono Edit) [*]

Heaven and Hell 

(Vocals Only) [*]

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