The Police : Ghost In The Machine




EVERYTHING SHE DOES IS MAGIC
EVERYTHING SHE DOES
JUST TURNS ME ON



 Ghost in the Machine

is the fourth

studio album

by the 

English rock band

 The Police

The album was released on  

October 2nd 1981 

by A&M Records.

 The songs were recorded

 between

 January and September 1981 

during sessions

 that took place at 

AIR Studios in 

Montserrat 

and 

Le Studio in Quebec,

 assisted by

 record producer

Hugh Padgham.

Ghost in the Machine

topped the 

UK Albums Chart 

and peaked at

 number two

 on the 

US Billboard 200. 

The album produced

 the highly successful singles 

"Every Little Thing She Does Is Magic", 

"Invisible Sun",

 and 

"Spirits in the Material World", 

with a fourth single,

 "Secret Journey", 

also being released

 in the US.

Ghost in the Machine

was listed at 

number 322 

on 

Rolling Stone's list 

of the 

500 greatest albums 

of all time. 

The album 

was reissued

 in 1983 on CD.

Production and Recording

After having produced the 

previous album

Zenyatta Mondatta

within a tight deadline 

of four weeks under pressure

 from the record company

 to deliver an album

 to the market,

 the Police 

decided to loosen up 

when it came to recording

Ghost in the Machine. 

This time they spent 

six weeks recording 

at AIR Studios in

Montserrat,

 which was, 

according to drummer

Stewart Copeland,

 "a 12 hour flight from

 the nearest record company".

This album marked a change 

in engineer/co-producer, 

from Nigel Gray 

 who worked on the band's albums

 up to that point

 to Hugh Padgham, 

best known for

 the drum sound

 he achieved on 

records by 

Peter Gabriel

and

Phil Collins

 In fact, 

for this album, 

Padgham initiated 

a technique in which

 the band were 

recording together

 in separate rooms

 of the 

AIR Studios facility: 

Andy Summers

in the main studio

 with all his 

guitars and amplifiers;

 Sting in the control room 

with his bass directly

 plugged into the desk; 

and Copeland

 in the dining room 

with his drums to

 get a

 "live" sound.

This method

 would be

 repeated for

 the next album

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