Stone Temple Pilots : Core (Remastered Deluxe Box Set)



FORWARD YESTERDAY

MAKES ME WANNA STAY

WHAT THEY SAID WAS REAL

MAKES ME WANNA STEAL


 Core

is the debut 

studio album 

by the American

rock band 

Stone Temple Pilots

 released by

Atlantic Records on

 September 29, 1992.

Produced by 

Brendan O'Brien,

Core became a massive 

commercial success, 

reaching number three 

on the Billboard 200 

by July 1993 

and has since 

been certified

8× Platinum 

by the Recording Industry 

Association of America (RIAA).

 The album spawned

 three singles:

 "Sex Type Thing", 

"Plush", 

and 

"Creep".

 "Plush" 

reached number one 

on the 

Billboard 

Album Rock Tracks,

 with the music video 

receiving heavy rotation 

on MTV. 

Stone Temple Pilots

 would go on to win

 two awards for

 "Plush":

 an MTV

 Video Music Award

 for Best New Artist 

and a Grammy for

 Best Hard Rock Performance.

The album initially received

 poor reviews despite

 its commercial success;

 the band was criticized

 for allegedly copying

 the musical style 

of other alternative acts,

 particularly 

Pearl Jam.

 Retrospectively, 

Core

has been acknowledged as a 

seminal release of

 the alternative rock

 and grunge movement 

of the early 1990s. 

Core 

helped propel 

Stone Temple Pilots 

into the mainstream 

and remains their most

 commercially successful record.

 A 25th anniversary 

deluxe edition 

was released in 2017.

Background and Recording

In 1985, 

Scott Weiland 

and his friends

 in their band 

Soi-Disant 

 guitarist 

Corey Hicock 

and drummer 

David Allin 

 first encountered 

Robert DeLeo 

playing live

 at various gigs, 

deciding to 

track him down 

after witnessing his shows.

 Weiland and DeLeo 

would both move

 into an apartment 

in San Diego 

where they would begin

 to write music together 

and formed the band 

Swing.

 By 1989, 

drummer 

Eric Kretz 

and 

DeLeo's 

older brother 

who was a guitarist,

  Dean 

would join the band, 

which was renamed 

Mighty Joe Young.

 The band put out a demo

 in 1990 

and slowly developed 

a huge following 

in the 

alternative rock scene 

of Southern California.

In the meantime,

 the band members 

would take on jobs

 to support themselves 

with Weiland working 

at a modeling agency

 and Robert 

at a guitar shop. 

Robert later said in 2017

 that two would write songs

 during their spare time saying, 

"When either one of us had

 a musical idea, 

we'd call each other. 

He would usually have

 more time to run over 

and work it out.

 It was perfect because, 

since I was at a guitar shop,

 I could pick up a guitar right there. 

Scott didn't really play 

an instrument. 

When he had an idea, 

he would hum it to me."

When the recording sessions ended,

 the band named the album 

Core, 

which refers to the story 

of Adam and Eve

in the Bible. 

This is further represented

 in the album cover 

which depicts Eve 

stealing an apple

 from the Tree of Eden. 

Robert DeLeo 

would record the album 

with a blue 

G&L L2000 Jazz Bass 

played on an Ampeg SVT 

with a Sennheiser 421.

 Eric Kretz 

would play on a 

Yamaha Rock Tour 

Custom drum set 

while 

Dean DeLeo 

used a 1978

Les Paul Standard. 

By August,

Core 

was scheduled to be released 

and the album had reached

 the mastering stage

 when the band's lawyer 

received word that

 a blues musician 

had already claimed the name

Mighty Joe Young. 

Weiland,

 who was a fan of the

STP Motor Oil stickers

since his youth, 

gave the band some ideas. 

Dean even suggested the name 

Stereo Temple Pirates 

which eventually

 would change

 into the name 

Stone Temple Pilots

Music and Lyrics

Stone Temple Pilots 

are at their 

heaviest and darkest

 on Core, 

a more straightforward 

display of 

grunge and alternative metal 

than the band's

 following albums. 

It showcases them

 mixing the hard rock approach 

of the 1970's 

and the

alternative rock sound, 

with a diverse range 

of other musical influences. 

The band found inspiration

 in the music of

Pink Floyd, 

the Rolling Stones, 

the Beatles, 

Metallica, 

and 

Led Zeppelin

according to Weiland. 

Tracks such as 

"Dead & Bloated", 

"Sex Type Thing",

 "Piece of Pie",

 and

 "Crackerman"

 explored a heavy edge

 combined with

alternative tunings

similar to

Soundgarden

and 

Alice In Chains, 

while

 "Wicked Garden",

 "Sin",

 "Creep", 

and 

"Plush" 

shared a jazzy

and psychedelic tone 

within the 

chord progressions.

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