Alice In Chains : Facelift (Expanded Edition)



I'M THE MAN IN THE BOX

BURIED IN MY SHIT

WON'T YOU COME AND SAVE ME ?

SAVE ME



 Facelift

is the debut

 studio album

 by the American 

rock band

Alice in Chains

 released by

Columbia Records

on

 August 21, 1990.

 The tracks 

"We Die Young", 

and 

"Man in the Box

were released as singles.

 "Man in the Box" 

was nominated for

 a Grammy Award

 for Best 

Hard Rock Performance 

with Vocal

in 1992.

Facelift 

became the first g

runge album to be 

certified gold 

by the Recording Industry 

Association of America

(RIAA), 

achieving this feat on 

September 11, 1991. 

The album peaked at No. 42

 on the 

Billboard 200 chart,

and has been certified 

triple-platinum

 by the RIAA 

for shipments of

 three million copies 

in the United States.

Background and Recording  

promoter 

Randy Hauser 

became aware of 

Alice in Chains

 at a concert, 

and offered to pay 

for demo recordings. 

However, 

one day before the band 

was due to record

 at the Music Bank studio 

in Washington, 

police shut down the studio

 during the biggest

 marijuana raid

 in the state's history.

 The final demo  

dubbed 

The Treehouse Tapes 

found its way to 

managers 

Kelly Curtis and Susan Silver, 

who also managed

 the Seattle-based 

Soundgarden.

 Curtis and Silver 

passed the demo to 

Columbia Records' 

A&R representative 

Nick Terzo,

 who set up an appointment

 with label president

 Don Ienner. 

Based on 

The Treehouse Tapes

(sold by the band at shows), 

Ienner signed 

Alice in Chains 

to Columbia in 1989.

Alice in Chains 

became a top priority 

for the label, 

who released the band's 

first official recording

 in July 1990: 

the promotional EP

We Die Young

Its lead single 

and title song 

became a hit 

on metal radio.

 After its success,

 the label rushed

 Alice in Chains' 

debut album 

into production 

with producer 

Dave Jerden.

"I told Jerry Cantrell, 

'Metallica took Tony Iommi

and sped him up. 

What you've done is 

you've slowed him down again,'" 

Jerden recalled. 

"He looked at me and said, 

'You got it.' 

That's how I got the gig."

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